Altered Pentatonic Scales . Fb. How to Play the Eb (E-Flat) Altered Dominant Scale on Guitar. You have to skip over two scale members in an Altered Dominant scale to get from the root to the third of the dominant chord because there are two ninths, which means a C Altered Dominant scale has two D's, spelled Db and D# (not Eb). That’s what I am using here in this next example. F, Gb, G#, A, B, C# Eb, F Nomenclature-wise, I prefer this spelling due to lowered/raised ninths, raised eleventh, and the raised fifth (as opposed to a lowered thirteenth [Db]) encountered in the F alt 7 chord. A altered Eb F G ... Gb Ab Bbb=A F altered Cb=B Db Eb F 2. So, on G7, you would play Ab melodic minor starting on G, and voila, you’re playing G altered. To find the appropriate notes for an altered scale, simply go up a half step from the root of the chord and play the ascending form of the melodic minor scale (a major scale with a flatted third). So the scale starts off as a diminshed scale and ends up as a whole tone scale, hence the name. The most obvious example is as IV chord (e.g. But, as with most things, it’s easy when you understand it. Four-note chords on the altered scale. All information about Guitar Scale: Eb Altered - Notes: Eb.Fb.Gb.G.A.Cb.Db - Formula: [1,b2,b3,b4,b5,b6,b7]. Adim = A, C, Eb). Show me chords that sound good with an Eb Altered scale. It has an anomaly - it has both a major and a minor third. Important: The fretboard is shown with the lowest pitch string at the bottom and the The only thing that is tricky is the function it has most of the time: To sound out of place. So, G Altered comes from Ab Melodic Minor…that means G Altered is Ab Melodic Minor starting on G! b6. Take a C altered scale - C, Db, Eb, E, F#, Ab, Bb. The Altered Scale (also known as the Super Locrian, Diminished Whole-Tone, and Dim-Whit scale!) b3. On the seventh note (on the leading tone): diminished chord (e.g. Learning The Altered Dom7th Pentatonic Scale. Altered scales include one or more notes that is lowered or raised compared to its main variation. The following are seventh chords built on the notes of the altered scale. To be clear, scales are good for note choices to help make melodies, but we aren’t just playing scales when we improvise! What’s the fingering for this scale? Since the natural minor key is itself on the Circle of 5ths - Eb minor on circle of 5ths, this means that this is a commonly used melodic minor scale key. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. Now go practice. For this reason, the altered scale is sometimes called the super-Locrian scale or the Locrian flat four scale (Service 1993, 28). It gives it a … The Diminished-wholetone Scale. It gives a jazzy dissonant sound to dominant chords. The Diminished-wholetone Scale. The altered scale is made by the sequence: The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names. In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. Sign up to access all practice material. The altered scale (often abbreviated to “C7alt.”) can be played over dominant 7 chords, because it contains a major 3rd and minor 7. Then the theorist comes along and says "OK let's call all those notes the altered scale". A G Altered scale consists of G, G#, A#, B, C#, D# and F notes. It is also enharmonically the seventh mode of the ascending melodic minor scale. However, the more common name for it is the altered scale. Equation 2 (ALT) 1. b9 #9. Altered Dominants are meant to be pulled out of the hat to sound out side for a bit and then resolve back to the surroundings at the end of the cadence. Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. In example 2 I am first playing the scale as a 2nd position minor pentatonic. First, let’s take a crash course in Altered Chords. See the diagram: PDF: 7th Modes Ab Major and Mel Minor. highest pitch string at the top (unless you've tuned your instrument differently.). Then he shows you the D altered dominant scale, which in addition to the root, third, and flatted seventh uses the flat nine, sharp nine, flatted fifth, and augmented fifth. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 Part of the series: How to Play Scales on the Guitar 5. View this scale in: G-Tuning (DGBE) D-Tuning (ADF#B) Slack-key Tuning (gCEG) The altered scale is actually the seventh mode of the melodic minor scale, also called Super Locrian mode. Altered scales most commonly appear over dominant seventh chords that resolve to the root. Bars 5 … Altered Scales work over chords built on the 5th note in major keys because they contain the common chromatic passing tones used as alterations. selected scale highlighted. Altered scales are often used over altered seventh chords, e.g. b5. I play most of the melody with single notes, except for a few passages where chordsare added. The B altered scale serves as a passing scale to the 3 chord on the key of C.. Bass LH RH B A Eb G B altered scale Altered scales Altered scales include one or more notes that is lowered or raised compared to its main variation. But in the end it is of course just a set of notes like any other scale and no more difficult than the rest of them. The Altered Scale etude showcases three different ways of using the Altered Scale and gradually becomes more difficult. Gb. These are: The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. There are seven ways to alter a basic major pentatonic scale. It’s called the ‘altered’ scale because every extended harmony note that can be altered (9, 11, 13) has been altered (b9, #9, #11, b13): Let us take a look at a C altered scale: C, Db, Eb, E, F#, G#, Bb. The Pentatonic scale is one of the first things we learn. Harmonic Minor; Phrygian Dominant; Dorian (alternate) Mixolydian (alternate) Chord Progressions. So, here’s my very quick guide to using the altered scale on bass. Major Diatonic Chords; Major Parallel Modes; Major II – V – I ; Minor II – V – I; Circle Of Fifths; Melodic Minor Modes. The E-flat melodic minor scale has 4 flats. Adjust the "start fret" option to further highlight a finger Find guitar scales using graphic interface. Now that we know the notes of the E flat minor scale (natural), we now take a look at the E flat harmonic minor scale. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. For example, Altered Locrian b4 that is identical to the Locrian Scale except for the flatted fourth. Lydian Major . Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. Connecting to the basic G Altered Scale. When you make lines over a D7 altered there are two triads that can work really well (there are more of course, but for this lesson I am mostly using these two): Eb minor: Eb,Gb,Bb which related to D becomes b9, 3rd, b13. B-flat blues scale. E-flat melodic minor scale. It’s basically any melodic minor scale played from the 7th tone to the 7th tone (… in other words, instead of starting and ending on the first tone of the scale like you’d normally do, you start and end on the 7th tone of the SAME scale. chords that sound good with an Eb Altered scale, http://www.outsideshore.com/music/educational-materials/primer/melodic-minor-harmony/#AlteredScale, http://en.wikipedia.org/wiki/Altered_scale, http://en.wikipedia.org/wiki/Musical_mode#Other_types_of_modes. The Superlocrian Scale. The lines When you make lines over a D7 altered there are two triads that can work really well (there are more of course, but for this lesson I am mostly using these two): It's a Locrian Mode with a flat 4 - but the second Eqn above makes sense of it, it's the notes available in an altered dominant chord, laid out in a scale. For example in the case of C as the tonic, the C# melodic minor scale can be used starting on C: The Altered Scale and its Applications for Jazz Guitar, https://en.wikipedia.org/w/index.php?title=Altered_scale&oldid=976843685, Articles with incomplete citations from March 2011, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 September 2020, at 11:07. G7 altered is the same as Ab melodic minor: Ab Bb B Db Eb F G Ab. Space and melodic phrasing is demonstrated in the first four bars. See diagrams at Standard Guitar. This melodic minor scale is based on the natural minor scale with the same key / tonic note - Eb natural minor scale. The Solution below shows the Eb melodic minor scale notes, intervals and scale degrees on the piano, treble clef and bass clef.. Theoretically, I can think of 2 scales where this could come from: The Half-Whole Diminished Scale. JGuitar's scale calculator will draw scale diagrams showing the fretboard with notes in the You learned, step-by-step, how to play the altered scale. The Solution below shows the Bb blues scale, on the piano, treble clef and bass clef.. They remain five note scales albeit altered in some way. These notes can be used to create tension alongside the chord tones of G-B-F. Once you’ve got a handle on the scale, let’s move on to some licks. (1, b9, #9, 3, #11, b13, b7, 8) (you can also have the 5th, although it’s a “secret” hidden note that isn’t generally played in the scale) H W H W W W W. The Altered Scale is … This scale is also known as: The 7th mode of the C Melodic Minor Scale. Here is how I usually play All Blues’ theme. C. Equation. The Altered Dominant Scale. We have one straight minor pentatonic scale: Bbm – Bb Db Eb F Ab Bb. The altered scale is actually the 7th mode of melodic minor. Coming from the Ab Melodic Minor scale, the G Altered Scale is G-Ab-Bb-B-Db-Eb-F. Notice that it has the B natural, which works nicely on the V chord (G7) but also has an Ab (b9), Db (b5) and Eb/D# (#5). The Altered Scale is actually a mode of melodic minor. The altered scale is the 7th mode of the melodic minor scale, which means that it is like playing Ab melodic minor starting from the note G. The altered scale is used to solo over dominant 7th chords, both in major and minor keys. For instance, in a G7(b9)sus to Cmin7 progression, a G Phrygian (same key center as Eb major, 3 flats) works well. ’ s the 7th mode of melodic minor starting on G, altered... Following are seventh chords, e.g minor pentatonic musical notation with the essential tones for a chord. 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